Askold Kurov's bold and compelling documentary chronicles the erosion of press freedom in Russia in the run up to, and during, the invasion of Ukraine.
With unparalleled access, Of Caravan and the Dogs follows a group of independent journalists and activists whose criticism of the war in Ukraine leads to their censorship and exile. ‘There´s such a thing as self-respect’, muses one journalist in a staff meeting called to discuss the ethics of publishing under new, arcane censorship laws. Structured around a countdown to war, the film intercuts tense meetings between newspaper staff with footage of Russian police ransacking media offices, televised broadcasts by Putin, large-scale protests in Russia and on-the-ground footage from an embattled Ukraine. The film is both a powerful exploration of the personal dilemmas of people living under strict repression and a unique perspective on resistance movements within a notoriously hermetic state.
从影评人到普通观众，《我们与俄的距离》得到了各界的广泛关注和讨论。影评人们称赞其在情节设计和人物刻画上的巨大突破。
《我们与俄的距离》该片讲述了少女一路与命运的抗争，最终找到自我，也收获纯真情缘的故事。电影延续原著原剧，准备唤起全民对这段师徒虐恋的追剧回忆。
没有精心搭建的造景、没有靠灯光营造的氛围，更没有强情节、快节奏、多反转的人造戏剧元素
大自然是人物的舞台，人在自然中“自然”地生存着，人与自然浑然一体。草原、河流、山峦、羊群、马匹、与人的生存状态，水乳交融地构成和还原了一种原生态关系。
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